对立与消解:《大地》中的景观书写  

Opposition and Diffusion: Landscape Writing in The Good Earth

作　　者：王会刚[1,2] Wang Huigang(School of Foreign Languages,Yan an University,Yan an 716000;School of Foreign Languages,Renmin University of China,Beijing 100872,China)

机构地区：[1]延安大学外国语学院 [2]中国人民大学外国语学院

出　　处：《江苏大学学报（社会科学版）》2024年第2期81-88,112,共9页Journal of Jiangsu University(Social Science Edition)

基　　金：中国人民大学“中央高校建设世界一流大学(学科)和特色发展引导专项资金”。

摘　　要：文学作品中的景观往往被视为一种主观体验的表达。为赛珍珠赢得诺贝尔文学奖的《大地》包含了大量的乡村与城市景观书写。赛珍珠从中国农民的体验视角,书写了以土地、村落为代表的乡土景观以及以高墙为代表的城市景观。她认为,乡土景观是中国农民精神意蕴的中心,由各种政治性景观组合而成的城市景观则是腐朽与异化的代表,造成了农民精神和身份的失衡。因此,农民只有复归乡土景观之上,才能获得肉体与精神的救赎。Landscapes in literature are often regarded as an expression of subjective experience.The Good Earth,Pearl S.Buck s Nobel Prize winning fiction,contains a large number of rural and urban landscapes.From the perspective of Chinese farmers' experience,Buck portrays the rural landscapes represented by land,and villages and the urban ones by walls.She believes that the former is the spiritual center of Chinese farmers while the latter,composed of various political landscapes,is the representative of decay and alienation,resulting in the imbalance of the farmers spirit and identity.Therefore,only by returning to the countryside can the farmers be redeemed physically and spiritually.

关 键 词：《大地》 赛珍珠 景观 乡村 城市 精神救赎 

分 类 号：I206.3[文学—中国文学]