乐景和诗魂齐鸣的交响曲——论张承志小说创作的音乐性  

A Symphony of Music Scene and Poetry Resonating Together:On the Musicality of Zhang Chengzhi’s Novel Creation

作　　者：吴昊 WU Hao(School of Literature,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《江苏海洋大学学报（人文社会科学版）》2024年第2期68-79,共12页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要：张承志有着漫长而又丰富的音乐人生之旅。从上山下乡时期对蒙古长调的热爱和追逐,到去日本访问时对冈林信康和风民谣的欣赏和偏好,再到西北寻根路途之中对阿皮兹苏菲之歌的崇拜和痴迷,音乐已成为他小说创作和生命书写之中最为重要的审美元素和精神资源。在张承志的小说中,婉转缠绵的乐景和飘逸飞扬的诗魂已经达到了融合齐鸣的完美状态,其小说创作的音乐性主要体现在题材、内容、话语文体形态、故事结构、创作技法、自然本真生命的书写和激情诗学等方面。对张承志小说中的音乐性做条分缕析的解读和阐发,能够使我们进一步地把握其创作菁华和审美诗学。Zhang Chengzhi has a long and rich musical life journey.Music has become the most important aesthetic element and spiritual resource in his novel creation and life writing,from his love and pursuit of Mongolian long tunes during the period of working in the countryside,to his appreciation and preference for Nobuyasu Okabayashi and wind ballad during his visit to Japan,and to his worship and obsession with Apizsufi’s songs during his journey to find roots in the northwest.In Zhang Chengzhi’s novels,the lingering musical scene and the elegant poetic soul have reached a perfect state of harmony.The musicality of his novels is mainly reflected in the theme,content,discourse style,story structure,creative techniques,the writing of natural life and passionate poetics.The interpretation and elucidation of the musicality in Zhang Chengzhi’s novels will enable us to further grasp his creative essence and aesthetic poetics.

关 键 词：张承志 音乐性 冈林信康 复调 话语音乐 激情诗学 

分 类 号：I207.4[文学—中国文学]