公民身份、公民权与公民身份行动——《烈火国土》对《安提戈涅》的挪移与改写  

Citizenship, Civil Rights and Acts of Citizenship: The Appropriation and Rewriting of Antigone in Home Fire

作　　者：李青霜[1] LI Qingshuang(School of Foreign Studies,Nanjing Audit University,Nanjing 211815,China)

机构地区：[1]南京审计大学外国语学院,江苏南京211815

出　　处：《江苏海洋大学学报（人文社会科学版）》2024年第2期80-88,共9页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

基　　金：教育部人文社会科学青年基金项目(19YJC752015)。

摘　　要：索福克勒斯的《安提戈涅》是古希腊悲剧的经典之作,在世界戏剧史和思想史上都占据重要地位。在后“9·11”语境中,英国作家卡米拉·沙姆希对该剧进行了富有成效的挪移与改写,创作出小说《烈火国土》。沙姆希以安妮卡徒有虚名的公民身份映射英国少数族裔岌岌可危的公民权,指责英国内政部在褫夺国籍问题上的双重标准。沙姆希在《安提戈涅》的叙事框架内,重新演绎边缘群体挑战绝对权威的经典故事,借安妮卡的公民身份行动,表达当代英国少数族裔追求平等公民权的诉求。沙姆希对《安提戈涅》的巧妙利用,体现了古希腊经典悲剧的丰富内涵,昭示出英国少数族裔作家对安提戈涅传统的厚重反思,同时也为该剧提供了一种合理的注释与解读。Sophocles’classic Greek tragedy Antigone is prominent in the history of drama and intellect in the world.British novelist Kamila Shamsie explores the issue of citizenship of the minorities in Post 9/11 Britain by appropriating and rewriting Antigone with the help of the tension of contemporary narrative discourse in her novel Home Fire.The undeserved citizenship of Aneeka in the novel reflects the parlous civil rights of the British minorities and the fact that the naturalized citizens are deprived of citizenship status with double standards.In the narrative framework of Antigone,Shamsie reflects the parlous civil rights of British minorities and their claims on the issue of citizenship through retelling the classic story of the marginalized challenging the authority.Shamsie’s Antigone complex illustrates her reflection on the tradition of Antigone on the one hand and interprets the classic tragedy reasonably and possibly on the other.

关 键 词：《安提戈涅》 《烈火国土》 公民身份 安提戈涅情结 

分 类 号：I106.4[文学—世界文学]