“法”与“悟”的会通——谢榛诗学创作论探析  

The Convergence of"Law(Fa)"and"Perception(Wu)"-The Analysis of Xie Zhen's Poetic Writing Theory

作　　者：汪坤梅 WANG Kunmei(School of Literature,Shandong University,Jinan,Shandong 250100,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《保定学院学报》2024年第2期67-75,共9页Journal of Baoding University

摘　　要：谢榛在《四溟诗话》中继承了前人的“法”“悟”观念并加以发展,极大地丰富了二者的内涵,形成相对完善的理论体系。谢榛提倡师法盛唐,对诗歌创作的结构、声律、用事等规定了具体的门径,同时强调了“悟”的重要作用,认为“法”与“悟”不可偏废。“法”是实现“悟”的途径,“悟”是成就“法”的关键,二者相辅相成,从不同层面展现了谢榛的诗学宗趣。In Siming Poetics,Xie Zhen inherited and developed the concepts of"Law(Fa)"and"Perception(Wu)"from his predecessors,greatly enriching their connotations and forming a relatively complete theoretical system.Xie Zhen advocated learning from the prosperous Tang Poetry and provided specific guidelines for poetry creation in terms of structure,phonology,and allusions,while emphasizing the important role of"Perception(Wu)"and the need to balance it with"Law(Fa)"."Law(Fa)"is the way to realize"Perception(Wu)",and"Perception(Wu)"is the key to achieving"Law(Fa)",neither to be neglected.The two complement each other and demonstrate Xie Zhen's poetic interests and pursuits from different perspectives.

关 键 词：“法” “悟” 谢榛 《四溟诗话》 

分 类 号：I207.22[文学—中国文学]