对日本乐烧内窑起源的探讨  

Discussion on the Origin of Japanese Raku Kiln

作　　者：李雨花[1] LI Yu-hua(School of Design,Nanjing University of the Arts,Nanjing 210001,China)

机构地区：[1]南京艺术学院设计学院,南京210001

出　　处：《中国陶瓷》2024年第3期86-90,共5页China Ceramics

基　　金：国家社科基金艺术学一般项目“中国传统快烧砂器的流变及其对日本乐烧的影响”(19BG134)。

摘　　要：乐烧技术是和普通陶瓷烧制非常不同的烧制方法。根据乐家官网介绍,乐家认同阿米夜来自福建,乐烧技术来自华南三彩。梳理了华南三彩、漳州素三彩、漳州五彩、吴须赤绘的关系及它们的烧制窑炉,认为日本乐烧所使用的内窑与釉上烤花用的“红炉”有更为密切的关系,其更直接的源头应该是漳州五彩。The Raku technology is a very different firing method from ordinary ceramic firing.According to the introduction on the official website of Raku,they recognize that Amiya comes from Fujian,and Raku technology comes from the South China Tri-color.This paper sorts out the relationship between the South China Tri-color,Zhangzhou Plain Tri-color,Zhangzhou Five-color and Wuxu Chi-painted,and their firing kilns.It is believed that the internal kilns used by Japanese Raku firing have a closer relationship with the“red kilns”used for overglaze baking,and their more direct source should be Zhangzhou Fivecolor.

关 键 词：日本乐烧内窑 华南三彩 漳州五彩 红炉 

分 类 号：TQ174.653[化学工程—陶瓷工业] J504[化学工程—硅酸盐工业]