发现电影的声音:米歇尔·希翁对影像本体论的重构  

Discovering the Sound of Movies:Michel Chion's Reconstruction of the Image Ontology

作　　者：郭健 Guo Jian(Minjiang University,Fuzhou,350108)

机构地区：[1]闽江学院,福州350108

出　　处：《新疆艺术学院学报》2024年第1期67-74,共8页Journal of Xinjiang Arts University

摘　　要：声音研究是当前学界关注的前沿热点。长期以来,电影美学被视觉中心主义所垄断,致使电影被认为是一种视觉媒介,其本性是一种运动影像。这种影像本体论为经典视听理论——“影像为主,声音为辅”奠定了基础,却忽略了声音的审美价值。而米歇尔·希翁则从声音角度对这种观点进行了纠偏。在希翁看来,电影作为视听媒介,不仅是图像聚集的地方,还是各种声音共栖的场所。声音的艺术表现力,不仅突破了经典视听理论的范畴,溢出了影像的框架,还为声音现象学的展开提供了诸多可能性经验。这种鲜活的听觉经验,质疑了图像主导声音的非自然性。因而,希翁以此为基础重构了经典视听理论,使“听”电影成为可能。Sound studies is a hot topic in the academic field.For a long time,film aesthetics has been monopolized by visual centralism,resulting in film being regarded as a visual medium,whose nature is a kind of moving image.This kind of image ontology lays the foundation for the classic audio-visual theory--"image is the main focus,and sound is the auxiliary",which neglects the aesthetic value of sound.Michel Chion corrects this view from the angle of sound In his view.Film,as an audiovisual medium,is not only a place where images gather,but also a place where various sounds coexist.The artistic expression of sound not only breaks through the category of classical audiovisual theory and overflows the frame of image,but also presents many possible experiences for the development of sound phenomenology.This living auditory experience questions the unnatural nature of image-led sound.Therefore,Michel Chion reconstructed the classical audio-visual theory on this basis,and made it possible to"listen"to the film.

关 键 词：米歇尔·希翁 影像本体论 视听联姻 音轨 

分 类 号：J90-02[艺术—电影电视艺术]