短视频赋能下地方戏曲的影像创作与叙事策略——以青阳腔为例  

On the Image Creation and Narrative Strategies of Local Opera Invigorated by Short Videos--Taking Qingyang Opera as an Example

作　　者：刘德群[1] 高祥华[1] Liu Dequn;Gao Xianghua(Chizhou University,Chizhou,247000)

机构地区：[1]池州学院,池州247000

出　　处：《新疆艺术学院学报》2024年第1期101-107,共7页Journal of Xinjiang Arts University

基　　金：安徽省高校哲学社会科学研究重点项目(项目编号:2023AH052346)阶段性研究成果。

摘　　要：近年来,短视频对地方戏曲的传播引起关注。在戏曲短视频演进发展中,细分出“演出现场的记录”“表演的视频化创作”“后台日常的展示”“跨界的创新艺术”等影像类型。以青阳腔短视频的制播为例,短视频作品通过主体突出的竖屏画面、传统与时尚同在的声音,以及趣味化的戏曲贴纸等创作形式,表现了丰富的影像美感;戏曲短视频也可以通过提炼精华、回归平民、多元呈现等叙事策略最大限度地展现戏曲之美。In recent years,short videos has contributed significantly to the dissemination of local opera,which has attracted public attention.In the evolution of traditional Chinese opera short videos,there are various types of images,such as"recording of on-the-spot performance","video creation of performances","daily display of backstage",and"innovative art of cross-border collaboration".Taking the production and broadcasting of Qingyang Opera short videos as an example,short video works express rich visual beauty through prominent vertical screen images,traditional and fashionable sounds,and interesting opera stickers and other creative forms.Short opera videos can also show the beauty of opera to the greatest extent through narrative strategies such as condensing essence,returning to civilianization,and multi presentation.

关 键 词：戏曲短视频 影像创作 叙事策 

分 类 号：J825[艺术—戏剧戏曲] G206[文化科学—传播学]