“底部”的颠覆:《秀拉》的狂欢化书写  

The Subversion of“the Bottom”:The Carnivalesque Writing in Sula

作　　者：刘卓[1] 范依烨 LIU Zhuo;FAN Yiye(Foreign Studies College,Northeastern University,Shenyang 110819,China)

机构地区：[1]东北大学外国语学院,沈阳110819

出　　处：《唐山学院学报》2024年第2期73-78,共6页Journal of Tangshan University

摘　　要：托尼·莫里森在小说《秀拉》中创造了一个主流社会主宰下的黑人社区——“底部”,书写了“底部”的黑人勇士秀拉、伊娃、夏德拉克等挣脱白人压迫、建构主体身份的艰辛努力。在巴赫金狂欢化理论视域下,小说《秀拉》的三个狂欢化特征——狂欢化的“边沿”时空、狂欢化的怪诞人体和狂欢化的死亡形象,深化了作品的批判性主题,彰显了作家的创作意图。In the novel Sula,Toni Morrison creates a black community called“the Bottom”under the domination of mainstream society.She depicts the struggles of black warriors in“the Bottom”,such as Sula,Eva,and Shadrack,as they strive to break free from white oppression and construct their own identities.From the perspective of Bakhtin’s theory of carnivalesque,this novel exhibits three characteristics of carnivalesque writing:the carnivalesque“marginal”spatiotemporal dimension,the carnivalesque grotesque body,and the carnivalesque death imagery.These characteristics deepen the critical themes of the work and reveal the author’s creative intentions.

关 键 词：秀拉 底部 狂欢化 

分 类 号：I106.4[文学—世界文学]