《回西藏》:涉藏故事的重述与改写  

Kong&Jigme:Restatement and Rewriting of the Tibetan-related Story

作　　者：胡谱忠 Hu Puzhong

机构地区：[1]首都师范大学文学院影视文学系

出　　处：《电影艺术》2024年第2期94-97,共4页Film Art

摘　　要：《回西藏》是导演陈国星在执导电影《孔繁森》多年后,根据同一人物原型,与藏族青年导演拉华加联合执导的电影。影片对主人公老孔形象的塑造主要采用了多元文化主义的话语,对老孔所处的西藏环境及其文化进行了重新的意义布局和提炼。从故事层面来说,《回西藏》是对电影《孔繁森》的重述和改写,也是导演陈国星有意识地对前作进行的某种修正。《回西藏》的思想和文化表达需要放到历史大势中去考察。在当下复杂的世界格局中,中国需要讲述涉藏故事的新方法。Co-directed with Lhapal Gya,Kong&Jigme is a film directed by Chen Guoxing who made the film Kong Fansen many years ago,and these two films are based on the same prototype.Kong&Jigme mainly adopts the discourse of multiculturalism to portray the protagonist Kong,and rearranges and refines its significance when describing the environment and culture in the Tibetan area where Kong once stayed in.From the perspective of story-telling,this film is a kind of restatement and rewriting of the film Kong Fansen,and it is also a kind of correction to his previous work.The thought and cultural expression in Kong&Jigme needs to be investigated in the historical trend.In the complex circumstance of contemporary world,China is invoking the new method to tell the Tibetan-related story.

关 键 词：涉藏故事 重述 改写 藏文化 

分 类 号：J905[艺术—电影电视艺术]