“残留物”视角下的现代旧体诗人主体——以郁达夫为例  

On the Subject of Modern Traditional-Style Poets from the Perspective of“Residues”--A Case Study of Yu Dafu

作　　者：杨一鸣 王欣[1] YANG Yiming;WANG Xin(School of Chinese Language and Literature,Xinjiang University,Urumqi,Xinjiang 830046,China)

机构地区：[1]新疆大学中国语言文学学院,新疆维吾尔自治区乌鲁木齐830046

出　　处：《开封文化艺术职业学院学报》2024年第1期29-33,共5页Journal of Kaifeng Vocational College of Culture & Art

基　　金：2019年国家社会科学基金青年项目“新疆族际共享生活文化空间研究”(19CMZ030)。

摘　　要：新世纪以来,重写文学史实践对具体作家的具体作品进行了再关注,以郁达夫旧体诗为代表的现代文学启蒙话语体系下的一类“残留物”进入学界视角。作为一种古老的民族艺术形式,重新审视旧体诗在现代文学发展中的生存境遇,关系着现代文学面貌的完整呈现。从现象学层面出发,某一时期文学景观的还原往往也是人文思潮的再呈现,即根源在于“人”的认识,因此对现代旧体诗的研究理应始发于作者主体这一基点。对于郁达夫旧体诗的再研究,首先应将旧体诗语言作为一种先验存在,对郁达夫的主体养成影响进行考察,再回归历史中主体选择的现场,以此重新判定郁达夫旧体诗地位,此思路不仅可以拓展20世纪旧体诗的观察、探索空间,更为中国现代文学史写作提供新的思考和启发。Since the new century,the practice of rewriting literary history has refocused on the specific works of specific writers,and a type of“residue”under the discourse system of modern literary enlightenment represented by Yu Dafu’s traditional-style poetry has entered the academic vision.As an ancient national art form,re-examining the survival situation of traditional style poetry in the development of modern literature is closely related to the complete presentation of modern literature.From a phenomenological perspective,the restoration of literary landscape in a certain period is often a representation of humanistic trends,that is,rooted in the understanding of“human”.Therefore,the study of modern traditional poetry should start from the perspective of the author’s main body.For the further study of Yu Dafu’s traditional style poetry,the language of the traditional-style poetry should be regarded as a prior existence in the first place,and the influence of Yu Dafu’s subject development should be examined.Then,by returning to the scene of subject selection in history,the status of Yu Dafu’s traditional-style poetry can be rejudged.This approach not only expands the observation and exploration space of the traditional-style poetry in the 20th century,but also provides new thinking and inspiration for the writing of modern Chinese literary history.

关 键 词：“残留物” 郁达夫 旧体诗 创作主体 

分 类 号：I226[文学—中国文学]