明代日用类书中的耕织图考辨  

A Textual Research of the Ming Dynasty Farming and Weaving Pictures in the Daily-use Books

作　　者：付永强 谭帆[1] FU Yongqiang;TAN Fan

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《民俗研究》2024年第2期146-156,160,共12页Folklore Studies

基　　金：国家社科基金重大项目“中国古代农耕图像的搜集、整理与研究”(项目编号:20&ZD218)的阶段性成果。

摘　　要：目前学界普遍认为邝璠在编纂《便民图纂》的过程中,以楼璹《耕织图》为蓝本绘制了《农务女红之图》,并把楼璹的五言诗替换成通俗易懂的竹枝词。这些图像与竹枝词因其通俗性而受到晚明建阳书坊的青睐,并被吸纳到日用类书“农桑门”中,由此建构出一种耕织图的民间传播谱系。然而借助校勘学方法,仔细分析《便民图纂》和日用类书中的耕织图,就会发现日用类书中的耕织图不是源自《便民图纂》,邝璠也并非《农务女红之图》的作者。日用类书中的耕织图存在大量的沿袭错误、删减割裂、细节缺失等问题,也不可能起到促进耕织技术推广的作用。At present,it is widely believed in the academic community that in compiling the Bianmin Tuzuan,Kuang Fan drew the Nongwu Nügong Tu based on Lou Shu's The Farming and Weaving Pictures,and adapted fivecharacter poems into folk poems that were easy to understand;These images and folk poems were favored by the Jianyang Bookstore in the late Ming Dynasty due to their popularity,and incorporated into the agricultural and sericultural section of the daily-use books.Thus,a folk communication lineage of the farming and weaving pictures was constructed.However,with the help of the method of textual criticism,a careful analysis of the farming and weaving pictures in the Bianmin Tuzuan and the daily-use books,reveals that the farming and weaving pictures in the daily-use books do not originate from the Bianmin Tuzuan,and Kuang Fan is not the author of the Nongwu Nügong Tu.The farming and weaving pictures in the daily-use books have a large number of errors,cuts,and missing details,which cannot promote the promotion of farming and weaving techniques.

关 键 词：耕织图 日用类书 《便民图纂》 农务女红图 

分 类 号：K248[历史地理—历史学] J209.2[历史地理—中国史] S-09[艺术—美术]