科恩兄弟黑色电影色彩研究  

Color study of the Coen brothers film noir

作　　者：付政 Fu Zheng(School of Film Art,China Academy of Art)

机构地区：[1]中国美术学院电影学院

出　　处：《色彩》2024年第1期83-85,共3页Fashion Color

摘　　要：科恩兄弟的黑色电影以其独特的叙事风格、引人入胜的影像世界而在国际影坛独树一帜。他们的作品为黑色电影的延续注入了新鲜的活力和创意,通过错综复杂的离奇故事描写边缘人的生活状态,表达出两位导演对哲学和古希腊的悲剧命题的思考。本文通过梳理对科恩兄弟黑色电影与传统黑色电影的渊源,以及着重分析科恩兄弟黑色电影中空间地理、情绪感知和人物塑造的色彩作用,归纳科恩兄弟黑色电影作品的色彩美学意义。文章运用对比研究法、个案分析法对科恩兄弟黑色电影的彩色艺术风格试做探析。Coen Brothers'film noir is unique in the international film world with its unique narrative style and fascinating image world.Their works have injected fresh vitality and creativity into the continuation of film noir,describing the life of people on the edge through intricate and bizarre stories,expressing the two directors'thoughts on philosophy and the tragic propositions of ancient Greece.By combing the origin of Coen brothers'film noir and traditional film noir,and focusing on the analysis of the role of color in the spatial geography,emotional perception and characterization of the Coen brothers'film noir,this paper summarizes the aesthetic significance of color in the Coen brothers'film noir.This paper tries to analyze the color art style of Coen brothers'film noir by using the method of comparative study and case analysis.

关 键 词：黑色电影 科恩兄弟 电影色彩 

分 类 号：J906[艺术—电影电视艺术]