从唐代人物画中看哲学色彩观  

A Philosophical View of Color from Tang Dynasty Figure Paintings

作　　者：姚力溶 Yao Lirong(Sichuan University)

机构地区：[1]四川大学

出　　处：《色彩》2024年第1期100-102,共3页Fashion Color

摘　　要：中国传统绘画色彩观孕育在东方文化精神之中,建立在哲学思想之上,在漫长的发展中形成了中国画特有的艺术语言和审美品格。本文遵循历史演进和发展的过程,从唐代人物画的角度入手,探究唐朝人物画哲学基础、赋色风格及历史价值,并结合当今多元文化发展的背景,在保持中国画色彩审美特点上提出自己的观点及看法。The color concept of traditional Chinese painting is nurtured in the spirit of oriental culture and founded on philosophical thoughts,which has formed the unique artistic language and aesthetic character of Chinese painting in the long development.Following the process of historical evolution and development,this paper explores the philosophical basis,color style and historical value of figure painting in the Tang Dynasty from the perspective of figure painting in the Tang Dynasty,and puts forward its own views and opinions on maintaining the aesthetic characteristics of Chinese painting color in combination with the background of today's multicultural development.

关 键 词：唐代人物画 五行五色 佛教绘画 色彩 传承转型 

分 类 号：J212[艺术—美术] K242[历史地理—历史学]