东南亚华语戏剧与粤籍华人族群认同建构——以新加坡粤剧为例  

Southeast Asian Chinese Drama and the Construction of Ethnic Identity among Cantonese-Chinese Cantonese Opera in Singapore as an Example

作　　者：保德蓉 Bao Derong

机构地区：[1]云南师范大学华文学院,昆明市650500

出　　处：《八桂侨刊》2023年第4期13-19,94,共8页Overseas Chinese Journal of Bagui

摘　　要：东南亚华语戏剧以闽粤两省的地方戏曲为主,与当地华人的籍贯构成呼应。新加坡是粤剧在东南亚传播的中心,从粤剧在新加坡的发展演变历程,可看出粤籍华人的族群认同建构过程。受新加坡多元族群文化的影响,该地粤剧演出活动逐渐呈现跨地缘、跨族群传播的特点,以其自身独特的形式发挥价值和作用,促进地区交流。东南亚粤籍华人的族群认同与粤剧发展之间呈现双向作用关系,且东南亚粤剧演出活动能够加强我国广东省与东南亚地区的文化交流,深化与海上丝绸之路的粤籍华人的联系,因此需重视发挥地方戏曲、粤侨资源、侨乡祖籍、神缘和地缘关系等因素的作用。Southeast Asian Chinese drama echoes the composition of the local Chinese origin,with local operas from Fujian and Guangdong provinces predominating.Singapore is the center of the spread of Cantonese opera in Southeast Asia,and the process of constructing the ethnic identity of the Cantonese Chinese can be seen in the development and evolution of Cantonese opera in Singapore.Influenced by the diverse ethnic cultures of Singapore,the performance of Cantonese opera in the region is gradually characterized by cross-geographical and cross-ethnic dissemination,playing its value and role in its own unique form and promoting regional exchanges.There is a two-way relationship between the ethnic identity of Cantonese Chinese in Southeast Asia and the development of Cantonese opera,and the performance of Cantonese opera in Southeast Asia can strengthen the cultural exchanges between Guangdong Province and Southeast Asia,and deepen the ties with Cantonese Chinese along the Maritime Silk Road.We need to pay attention to the role of local operas,resources of Cantonese diaspora,ancestry of the diaspora,and the relationship between the divine origin and the geographic origin.

关 键 词：东南亚 华语戏剧 粤籍华人 新加坡粤剧 族群认同 

分 类 号：D634[政治法律—政治学] J825[政治法律—中外政治制度]