论新世纪中国城市移民电影的底层叙事  

Narratives of the Urban Underclass in Chinese Urban Migrant Films in the New Century

作　　者：艾志杰 AI Zhijie(School of Chinese Language and Literature,Suzhou University of Science and Technology,Suzhou 215009,China)

机构地区：[1]苏州科技大学文学院,江苏苏州215009

出　　处：《苏州教育学院学报》2024年第1期40-46,共7页Journal of Suzhou College of Education

基　　金：国家社会科学基金项目(20BZW042);江苏省社会科学基金项目(23TYD021);江苏省高校哲学社会科学研究一般项目(2022SJYB1459);苏州科技大学科研基金项目(XKR202005)。

摘　　要：随着城市化进程的加快,人们在城市与乡村之间迁徙、流动的速度也在不断加快,于是城市移民问题便成为影视媒介关注的焦点。作为城市电影的重要亚类型之一,城市移民电影对底层移民群体的生存状况及悲剧命运进行了揭示与思考,如对城市移民面临的欲望与精神的溃败、身份的焦虑与文化的认同以及女性的失语与妥协等问题都有所涉及,表现了电影人对底层移民群体的悲悯情怀。城市移民作为底层弱势群体,他们既渴望成为城市中的一员,又很难融入其中。城市移民电影以影像的方式回应了城市移民与城市、乡村之间的复杂关系。With the acceleration of urbanization,the migration and mobility between urban and rural areas in Chinese mainland have become increasingly frequent,making the issue of urban migrants a focal point of attention in film and television media.As one of the important sub-genres of urban films,films about urban migrants reveal and contemplate the living conditions and tragic destinies of the underclass migrant groups.They address issues such as desires,spiritual collapse,identity anxiety and cultural identification,and the silence and compromise of women faced by urban migrants,reflecting the filmmakers’compassion for this underprivileged group.Urban migrants,as a vulnerable underclass,aspire to become part of the city but can hardly integrate.Urban migrant films respond to the complex relationships between urban migrants and urban and rural areas through the medium of film.

关 键 词：城市移民电影 底层叙事 城市文明 

分 类 号：J902[艺术—电影电视艺术]