历史真实与艺术真实:重读杨尘因日记  

Historical Truth and Artistic Truth:Re-reading Yang Chen-yin’s Diary

作　　者：许丽莉 Xu Lili(Hujiang College,University of Shanghai for Science and Technology,Shanghai,200093)

机构地区：[1]上海理工大学沪江学院,上海200093

出　　处：《语文学刊》2024年第1期58-62,共5页Journal of Language and Literature Studies

基　　金：上海哲学社会科学规划课题“上海近现代出版机构名录整理研究”(2021ZTQ003)阶段性研究成果。

摘　　要：著名作家杨尘因一生创作了大量的作品,在中国现代文学史上有着重要的地位,但对他的研究却未能得到相应的重视。近年发现的哈佛燕京图书馆藏杨尘因1919年日记手稿,记录了他创作的作品多达十余部,其中就有《民潮七日记》———长期被列为五四爱国运动重要史料———这部杨尘因亲历现场撰写的日记体纪实性文学作品,至今尚未有人对其进行文学维度的研究。文章在细读其1919年日记的同时,从创作过程、叙述视角、写作态度和艺术表现手法等方面对此书进行文学解读,以期探讨杨尘因写作中的历史真实与艺术真实的统一。The famous author Yang Chen-yin has written a large number of works in his life,and has an important position in the history of modern Chinese literature,but the research on him has not been given corresponding attention.The 1919 diary manuscript of Yang Chen-yin in the Harvard-Yenching Library records more than ten of his works,including the Minchao Qiri Ji,which has long been regarded as an important historical source of the May Fourth Movement.This diary-style documentary literary work written by first-hand witness Yang Chen-yin has not yet been studied in a literary context.Based on a close reading of his 1919 diary,the article provides a literary interpretation of the book in terms of the creative process,narrative perspective,writing attitude,and artistic expression and explores the unity of historical truth and artistic truth in Yang’s writing.

关 键 词：杨尘因 日记 历史真实 艺术真实 

分 类 号：I206.6[文学—中国文学]