殖民法律与赖和文学创作  

Colonial Law and Loa Ho's Literary Creation in a Legal Perspective

作　　者：陈美霞[1] Chen Meixia

机构地区：[1]福建社会科学院文学研究所

出　　处：《华文文学》2024年第1期42-48,共7页Literatures in Chinese

基　　金：福建省社会科学基金一般项目“祖国大陆台湾文学学术史研究”,项目编号:FJ2021B085。

摘　　要：1895乙未割台,台湾地区被纳入日本殖民体制,海峡两岸中国人面临着各自的社会问题与主要矛盾。海峡两岸先觉者都走上救亡启蒙的道路,“民主”“科学”是祖国内地五四新文化运动的主要内容与目标旨趣,“法律”则是日据台湾地区社会运动的斗争缘起与诉求方向。日据台湾地区,法律既是日本带来的现代化形式,也是异族殖民下的强权工具。赖和被尊为“台湾新文学之父”“台湾的鲁迅”,其新旧文学作品深具时代精神。考察赖和文本内外的法律因素,不难发现日据时期作为公平正义象征的“法律”极具殖民性特质。法律书写是赖和文学不同于祖国内地现代作家作品的重要纬度,这是日据台湾地区特殊的殖民权力结构所决定,也是台湾地区文学对整个中华民族文学的丰富。In 1895 when Taiwan was ceded,it was incorporated into the colonial system of Japan when the Chinese people on both sides of the Taiwan Strait were faced with their own social issues and main problems and people with foresight took to the road of national salvation and enlightenment as democracy and science became the main contents and objective of the May Fourth New Culture Movement in China's Mainland and law became the origin of struggle and direction of appeal for the social movements in Japan-occupied Taiwan,where law was not only a modern form brought in by Japan but also a powerful tool under the colonialism by an alien race.Loa Ho,known as the Father of New Literature in Taiwan and Taiwan's Lu Xun,has literary works,new and old,that are full of the time's spirit.In examining the legal aspects in and out of Loa Ho's texts,it is easy to find that the law that symbolized justice and fairness in the Japan-occupied period was qualified by its coloniality.Legal writing by Loa Ho is an important latitude that is different from the works of mainland Chinese writers,determined by the special colonial power structure in Japan-occupied Taiwan,and an enrichment of Chinese literature as a whole by Taiwan Residents literature.

关 键 词：日据文学 法律视野 赖和 台湾地区 

分 类 号：I206[文学—中国文学]