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作 者:陈满欣[1] CHEN Man-xin(Shenyang Conservatory of Music,Shenyang 110818)
机构地区:[1]沈阳音乐学院,沈阳110818
出 处:《牡丹江教育学院学报》2023年第11期115-118,共4页Journal of Mudanjiang College of Education
摘 要:山东和河南地域相连,人文相近;山东筝派与河南筝派作为中国古筝的两大传统流派,彼此影响较深.两派古筝艺术的代表人物:赵玉斋大师和曹东扶大师,他们有属于自己独特的演奏技术和自成体系的加花规律;有一批内容丰富多彩,艺术表现形式完美的创编筝曲,他们使传统古筝从民间走向高等专业艺术院校,是现代古筝艺术的奠基人和开拓者,他们的古筝艺术特征具有很高的研究价值.文章从古筝艺术的起源与形成、古筝演奏技术、音乐内容及表现形式"等方面入手,根据大量搜集整理的资料素材,多角度,多层面分析两位大师的古筝艺术成就,抛砖引玉,以供借鉴.Shandong province and Henan province are geographically connected and have similar cultural backgrounds;Shandong Zheng School and Henan Zheng School,as the two traditional schools of Chinese zither,have a deep influence on each other.The representative figures of the two schools of guzheng art are Master Zhao Yuzhai and Master Cao Dongfu,who have their own unique playing techniques and their own systematic patterns of adding flowers.There is a group of creative zheng songs with rich and colorful content and perfect artistic expression.They have transformed traditional guzheng from folk to higher professional art institutions,and are the founders and pioneers of modern guzheng art.Their guzheng art characteristics have high research value.The article starts with the origin and formation of guzheng art,guzheng performance techniques,music content and expression forms,and analyzes the achievements of the two masters in guzheng art from multiple perspectives and perspectives based on alarge amount of collected and organized materials,providing valuable insights for reference.
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