若隐若现的“门槛”:早期新兴木刻运动背后的经济与人际  

Subtle Thresholds:The Financial Issues and Interpersonal Relationships Behind the Early Emerging Woodcut Movement

作　　者：陈琦 CHEN Qi(Graduate School of Arts and Sciences,The University of Tokyo,Tokyo 153-8902,Japan)

机构地区：[1]东京大学综合文化研究科,日本东京153-8902

出　　处：《杭州师范大学学报（社会科学版）》2024年第2期45-56,共12页Journal of Hangzhou Normal University(Humanities and Social Sciences)

摘　　要：在以救亡图存为主旋律的1930年代,鲁迅曾为革命考虑而大力提倡木刻画。由此以后,新兴木刻运动在鲁迅的指导和影响下逐渐成长壮大。当时围绕木刻创作最重要的一个关键词即成本低廉。相对于其他画种,木刻被认为是一种经济门槛较低的艺术,尤其适合经济不宽裕的艺术青年。就狭义的木刻创作而言,木刻确实无需过高的经济投入,但这并不意味着在学习木刻方面不存在资源壁垒;而且对一个亟待走向社会和大众的、广义的木刻创作即“木刻运动”而言,其所需的起步成本则非同寻常。木刻青年的筹款活动、工具及画集的采买、画室的经营,以及鲁迅对木刻集的精印出版、对木刻团体的慷慨资助等细小侧面,可以反映出木刻运动初期一些在以往研究中不易被注意到的具体物质问题,这些细节可以为考察木刻运动的现场提供若干新视角与线索。In the 1930s,with the theme of salvation and survival,Lu Xun vigorously advocated for woodcut art for Chinese revolutionary purposes.Since then,under Lu Xun's guidance and influence,the emerging woodcut movement gradually grew and strengthened.During that period,one of the most important merits surrounding woodcut movement was its low cost.Compared to other types of painting,woodcuts were considered a form of art with a lower economic barrier,particularly suitable for artists with limited financial resources.In the narrow sense of woodcut creation,indeed,high economic investment was not necessary,but this did not mean there were no barriers in terms of resources for learning woodcut techniques.Furthermore,for the broader sense of woodcut creation,or the so-called“woodcut movement”,which aspired to reach society and the masses,the initial costs required were extraordinary.From the fundraising activities of young woodcut artists to the purchase of tools and collections,the operation of studios,and Lu Xun's fine publishing of woodcut collections and generous funding of woodcut groups,some specific material issues in the early stages of the woodcut movement that had not been easily noticed in previous studies can be observed.These details provide several new perspectives and clues for examining the on-the-ground situation of the woodcut movement.

关 键 词：鲁迅 新兴木刻运动 左翼艺术 艺术经济 

分 类 号：J217[艺术—美术]