《天问》“白蜺婴茀”层新探  

A New Exploration of the Layer of “White Neon Yingfu” in Tian Wen

作　　者：周秉高 ZHOU Binggao(Editorial Department of Journal of Lucheng,Baotou 014035,China)

机构地区：[1]《鹿城学刊》编辑部,内蒙古包头014035

出　　处：《云梦学刊》2024年第2期28-34,共7页Journal of Yunmeng

摘　　要：在《天问》一诗从“白蜺婴茀”至“何以迁之”这个层次,屈原向天问了有关月、日、风伯、巨鳌的传说。从全诗来看,这是诗人精心设计的密不可分的一部分,充分体现了全诗主题,绝非什么“荒诞无说”或“拖带余波”。屈原是息于“先王之庙及公卿祠堂”时看到战国画工们笔下的少康画像时“呵而问之”。资料表明,古时体制,“君画于衣”,“古天子冕服”上必画有日月星辰、山龙华虫等图案。因此,月、日、风伯、巨鳌等当是画在少康冕服上的图案。这些图案表现了历代“先王”、圣贤们的天体宇宙观。屈原在本层中发出一连串诘问,再次推翻“先王”、圣贤们奉为金科玉律的天体宇宙观。In the poem of Tian Wen,Qu Yuan asked the sky about the legend of the moon,the sun,the wind god and the giant tortoise from“white neon Yingfu”to“How to move the mountain”,which is an inextricable part of the whole poem that the poet has crafted,fully reflects the theme of the poem,and is neither“absurd”nor“carry-over”.When Qu Yuan saw the portrait of Shaokang painted by the painters in the Warring States Period in the“temple of the former kings and the ancestral hall of the public,”Qu Yuan sang and questioned the portrait.According to the relevant materials in the ancient system,“the king appoints pictures on the clothes”,and“the king’s suit”must be painted with the sun,the moon and stars,mountains,dragons,flowers,and worm and other patterns.Therefore,these patterns such as the moon,the sun,the wind god,the giant turtle should be painted on Shaokang’s suit.These patterns reveal the celestial view of the“former kings”and sages.Qu Yuan asked many questions in this segment and overthrew the traditional celestial view that the“former kings”and sages regarded as the golden rule.

关 键 词：《天问》 少康中兴 画衣 天体宇宙观 

分 类 号：I207.22[文学—中国文学]