传统题材的后现代主义改编——网络动画《大理寺日志》批评  

A Postmodernist Adaptation of Traditional Themes:A Criticism on the Network Animation White Cat Legend

作　　者：宋聪聪 张雨茹 SONG Cong-cong;ZHANG Yu-ru(College of Humanities&Research Institute of Literary and Art Criticism,Hangzhou Normal University,Hangzhou Zhejiang 31l121,China)

机构地区：[1]杭州师范大学人文学院、文艺批评研究院,浙江杭州311121

出　　处：《廊坊师范学院学报（社会科学版）》2024年第2期45-54,共10页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：国家社会科学基金重大项目“中国新媒介文艺研究”(18ZDA282)阶段性成果。

摘　　要：国产网络动画《大理寺日志》运用后现代主义手法对传统神探题材进行了改编,受到了观众的喜爱和追捧。在动画生产上,每个环节都是去中心化、去权威性的,观众成为“第N作者”参与到了动画的创作过程中。在形象塑造上,白猫少卿既是对传统严肃断案神探的解构,又是人与猫的拼贴,迎合了“猫文化”盛行背景下的大众消费。在主题表达上,作品的主题“但行好事,莫问前程”是私人化和即时性的,是对宏大叙事的反抗,契合了“活好当下”的时代氛围。而半架空叙事与诙谐设定等因素则进一步中和了主题的严肃性,在沉重的悲剧中营造出轻松幽默的效果。The Chinese network animation White Cat Legend adapts the traditional detective theme with postmodernist techniques,which becomes a big hit in the audience.In terms of animation production,each link is decentralized and de-authorized,and the audience become the No.N Author"who participate in the creation process of animation.In terms of image creation,White Cat is not only the deconstruction of the traditional serious detectives,but also the collage of man and cat,which caters to the mass consumption under the background of"cat culture".In terms of theme,its theme"Do good,don't ask about the future"is personal and immediate,and is a rebellion against grand narrative technique,which is in line with the era's atmosphere of living in the present"The factors such as semi-invented narrative and humorous setting further neutralize the seriousness of the theme,creating lighthearted humor amidst the heavy tragedy.

关 键 词：《大理寺日志》 传统题材 后现代主义 动画生产 神探 

分 类 号：J954[艺术—电影电视艺术]