郁达夫在南洋:文化战士与浪漫诗人的双重特质  

Yu Dafu in Nanyang:the Dual Characteristics of Cultural Warriors and Romantic Poets

作　　者：黄丽群 HUANG Liqun

机构地区：[1]马来西亚博特拉大学现代语言与传播学院 [2]广西科技师范学院文化与传播学院

出　　处：《宁波大学学报（人文科学版）》2024年第2期46-56,共11页Journal of Ningbo University：Liberal Arts Edition

摘　　要：郁达夫以“颓废文人”的形象踏足“五四”文坛。1923年后,郁达夫文学思想中的“现实”因素逐渐增多。20世纪20年代中后期,郁达夫的文艺思想始终在浪漫与现实、资产阶级文艺思想和无产阶级文艺思想之间摇摆。抗日战争爆发后,郁达夫远赴新加坡,以“文化战士”的形象现身新马文坛。郁达夫在南洋时期的创作,政论及杂文共同建构了其文化战士形象,亦凸显了其作为浪漫诗人的气质;旧体诗及散文字里行间透露着文艺为政治服务的使命感,但又隐含了浪漫派诗人的思绪。双重风格、双重意绪在不同的文本,甚至同一文本中拉扯、交替和碰撞,最终营构了具有双重精神特质的郁达夫。Yu Dafu entered in the May Fourth new literary arena with the image of“decadent literati”.After 1923,the“realistic”factor in his literary thought gradually increased.Since the mid-late 1920s,his literary and artistic thought had been swinging between romance and reality,bourgeois literary thought and proletarian literary thought.Until the outbreak of War of Resistance against Japan,he went to Singapore and emerged as a“cultural warrior”in the Singaporean and Malaysian literary circles,where the latter ultimately took precedence.During his time in Southeast Asia,Yu Dafu’s creations,political essays,and miscellaneous writings collectively constructed his image as a cultural warrior while also highlighting his temperament as a romantic poet.His traditional-style poems and prose revealed a profound sense of mission in serving politics,yet they also encompassed the thoughts and emotions of a romantic poet.The dual styles and dual emotions in Yu Dafu’s works engage in a complex dance of tension,alternation,and collision across different texts,and even within the same text.This intricate interplay ultimately gives birth to a figure who possesses dual spiritual characteristics,embodying the essence of a complex and multifaceted Yu Dafu.

关 键 词：郁达夫 文学思想 文学创作 文学战士 浪漫诗人 

分 类 号：I206.6[文学—中国文学]