“柏林中国美术展览会”与中国现代绘画的对外传播  

The Chinese Contemporary Paiting Exhibition Held in Berlin and the Publicization of Modern Chinese Painting Overseas

作　　者：马琳 Ma Lin

机构地区：[1]上海大学上海美术学院,上海200444

出　　处：《艺术探索》2023年第6期12-17,共6页Arts Exploration

基　　金：2020年国家社科基金艺术学重大项目“中国近现代美术国际交流文献研究”(20ZD15)子课题“展览之部”。

摘　　要：1934年的“柏林中国美术展览会”及其巡展是中国近现代展览史上一次重要的展览事件。展览选择以中国现代绘画作品为展品,而国内美术界人士对于如何界定“中国现代绘画”颇有争议。刘海粟通过展览叙事和展览传播策略促进了欧洲对中国现代绘画的理解。展览不仅使中国现代绘画在欧洲得到认可和传播,而且上升为民族尊严和民族文化的话语展现。The Chinese Contemporary Paiting exhibition held in Berlin in 1934 and its subsequent tour were significant events in the history of modern Chinese exhibitions.The selection of modern Chinese paintings for this event,however,sparked controversies among domestic art circles regarding the definition of"modern Chinese painting"within the context of this exhibition.This aspect reveals how Liu Haisu influenced Europe's perception of modern Chinese painting and how he endeavored to reimagine China through the exhibition narrative and communication strategies.Additionally,the exhibition not only enabled modern Chinese painting to be recognized and disseminated in Europe,but also touched upon the discourse of national dignity and national culture.

关 键 词：刘海粟 柏林中国美术展览会 中国现代绘画 对外传播 

分 类 号：J2-28[艺术—美术]