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作 者:赵莉 Zhao Li
机构地区:[1]上海中国航海博物馆
出 处:《海洋史研究》2023年第2期109-128,共20页Studies of Maritime History
摘 要:以中国港埠风景为题材的洋画①是近代口岸文化史的研究内容,其中广州港埠洋画研究尤具代表性。21世纪以来,伴随国内外收藏机构有关广州港埠图像藏品的交流与共享,不同学科的学者们对此展开了多面向、多维度的阐释,并取得了丰硕研究成果。In the early 19th century,there were few images related with Shanghai port,which only appeared sporadically as illustrations in Western books about China.The stark even exaggerated mountains in the early images,highlighting the the interdependence between mountains and ports,made an exotic image of Shang-hai.However,it is not the real Shanghai but full of westerners’imagination,which mainly derived from the images of South China ports familiar to Westerners during the“Canton Trade”,including early western paintings and Guangzhou Export paintings.The imagination and misunderstanding both reflect the marginal position of Shanghai in the cognition of Westerners in the early 19th century.
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