传统建筑符号的转译研究——中外近现代建筑设计对传统建筑元素的处理和运用  

Discussion on the Translation of Traditional Architectural Symbols:The Treatment and Application of Traditional Architectural Symbols in Modern Chinese and Foreign Architectural Design

作　　者：梁炜莹 Liang Weiying

机构地区：[1]华南理工大学建筑设计院研究院有限公司 [2]华南理工大学建筑学院

出　　处：《城市建筑》2024年第6期150-153,共4页Urbanism and Architecture

摘　　要：文章通过对一些著名建筑风格和流派理论的分析对比,提炼总结不同建筑流派的建筑师对传统建筑符号的处理手段和运用手法,提出三种对传统符号转译的不同状态。第一种是具象化复制,包括原样模仿和折中模仿,这个时期对于传统建筑元素的处理,主要体现在使用现代建筑材料的同时保持传统结构外观上——以19世纪期间欧美的古典复兴、折中主义建筑和20世纪20年代中国古典复兴式建筑为例;第二种是装饰化复制,这是一种传统建筑元素逐渐脱离建筑结构而作为一种装饰性符号存在——以西方手法主义风格和近年来流行的新中式风格为例;第三种是抽象化的隐喻——以后现代主义风格,以及一些明显带有传统造型隐喻的现代建筑为例。Through the analysis on some famous architectural styles and theories,this paper compares,refines and summarizes the treatment and application of traditional architectural symbols by the architects in different architectural schools,and puts forward three different translation states of traditional symbols.The first is the representational reproduction,including original imitation and eclectic imitation.The treatment of traditional architectural elements in this period is mainly reflected in the use of modern building materials while maintaining the appearance of the traditional structure,for example,the Classical Revival and Eclectic architecture in Europe and the United States during the nineteenth century and the Classical Revival architecture in China during the 1920s.The second is the reproduction of decoration,which is a signal that the traditional architectural elements are gradually separated from the architectural structure and exist as a decoration symbol,such as the western Mannerism style and the popular new Chinese style in recent years.The third is the abstract metaphor,such as the postmodernism style,and some modern architecture that obviously carries traditional modeling metaphor.

关 键 词：传统建筑符号 折中主义 手法主义 隐喻主义 

分 类 号：TU-098[建筑科学—建筑理论]