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作 者:李淑琴[1] LI Shuqin
机构地区:[1]中央音乐学院
出 处:《中央音乐学院学报》2024年第1期14-28,共15页Journal of The Central Conservatory of Music
基 金:国家社会科学基金重大项目“音乐创作‘中国性’研究”项目成果,项目批准号:22&ZD037。
摘 要:文章聚焦中国专业音乐创作,基于屹立于世界音乐之林百年理想的实现及当下的新动态,提出中国专业音乐创作通过“创造的转化”而产生出与包括音乐在内的中国文化传统既新又具有连续性的伟大作曲家和伟大作品的新理想;鉴于过往中国专业音乐创作引领音乐发展的历史经验,进一步提出通过伟大作品及伟大作曲家的产生,促成世界级音乐都市在中国重现的中国专业音乐创作未来最高理想。全文理论建构与现实关照结合,理论上自觉构建中国专业音乐创作的有效机制;现实关照上,认为当下中国已具备形成世界级音乐都市的条件,但仍存距离,就此评现状,找差距,探讨解决路径,以为中国专业音乐创作的转化、世界音乐都市在中国的重现助一臂之力。This article focuses on the academic music composition in China.Along with the realization of the previous centennial ideal that stands among the world's advanced rank and confronting the current new trends,this article proposes a new ideal that produces great composers as well as great works with novel and sustainable Chinese cultural tradition through the"creative transformation".In view of the historical experience,in which Chinese academic music composition serves as a leading role in the developmental process of music,this article further proposes the future ultimate ideal that will promote the re-emergence of a world-class musical metropolis in China by those great compositions and great composers.This article elaborates in both theoretical construction and practical concerns.It consciously builds an effective mechanism for Chinese academic music composition in theory,and as in the aspect of practical concerns,it believes that present China is qualified to be a world-class musical metropolis but still with a certain gap.The current situation is therefore examined and evaluated to identify the gaps and to seek solutions as well.
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