原住民性的自我构建——以伊纳里萨米饶舌音乐为例  

Self-Construction of Indigeneity:A Case Study on Inari Sami Rap Music

作　　者：陈心杰[1,2] CHEN Xinjie

机构地区：[1]芬兰赫尔辛基大学 [2]武汉音乐学院

出　　处：《中央音乐学院学报》2024年第1期143-157,共15页Journal of The Central Conservatory of Music

摘　　要：“原住民性”(indigeneity)是后殖民时代最具争议的概念之一,不但涉及全球泛原住民群体的身份认同、历史与当下的政治文化处境以及话语权,也关系到原住民自身“表现”和“宣示”其原住民性的方式--它是一种自我构建的过程。文章以北欧原住民萨米人中的伊纳里萨米(Inari Sámi)饶舌歌手阿莫克(Amoc)及其饶舌音乐为研究对象,以实际采访与交流为线索展开讨论,首先探讨了阿莫克是如何受音乐全球化和芬兰音乐环境的影响,接纳和实践饶舌这种非萨米传统的音乐类型,从而实现对本土语言文化的复兴;其次,文章聚焦于阿莫克饶舌音乐中自我意识的表达,并关注其如何利用饶舌音乐自身所具有的社会批判性来打破世人对萨米和原住民的各种刻板印象。文章认为,原住民饶舌歌手阿莫克的音乐内容及表现方式都在宣示和表达着多面性的原住民性。原住民性在原住民的自我发声、自我诠释和表达过程中被赋予了意义。Indigeneity is one of the most controversial concepts in the post-colonial era.As a process of selfconstruction,it not only involves the identity,history,and current political and cultural situation of Indigenous peoples worldwide,but also relates to the ways in which Indigenous peoples themselves perform and celebrate their indigeneity.Based on this understanding,the article focuses on the Inari Sami rapper,Amoc,and his music,using actual interviews and exchanges as clues for discussion.Concretely speaking,it first explores how Amoc is influenced by musical globalization and the Finnish music environment,accepting and practicing rap to revitalize indigenous language and culture.Secondly,the article focuses on the expression of self-awareness in Amoc's rap,and examines how he uses the social criticism inherent in rapping to break stereotypes about the Sami and Indigenous peoples.The article argues that the content and presentation of Amoc's rap both assert the multifaceted nature of indigeneity.Indigeneity is endowed with meaning in the process of indigenous self-expression,self-interpretation,and expression.

关 键 词：萨米人 饶舌 说唱 阿莫克 原住民 原住民性 

分 类 号：J607[艺术—音乐]