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作 者:蓝慧 LAN Hui
机构地区:[1]南京艺术学院
出 处:《中央音乐学院学报》2024年第1期158-167,176,共11页Journal of The Central Conservatory of Music
摘 要:《论俄罗斯音乐》(On Russian Music),理查德·塔拉斯金(Richard Taruskin),Oakland:University of California Press,2009,417 pages/£34.99定价,ISBN:9780520249790长期以来,德奥音乐在西方音乐史的书写中一直占据主导地位,巴赫、贝多芬及瓦格纳等德国作曲家一直是音乐史学者们写作中炙手可热的研究对象。Richard Taruskin's book On Russian Music clears the haze that covered Russian music in the past,and redefines the historical development of Russian music from the 18th century to the 21st century.From the perspective of deconstruction,natural historical context and"The Other"perspective,this paper explains and evaluates how Taruskin removed the label of Russian music,traced the source of the problem and re-examined the authentic music history writing of this history,and tries to sort out the similarities and differences between this work and post-modern musicology analysis methods.
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