两幅古代画作所见“鹿形象”反映的宋辽关系  

The Song-Liao Political Relations Reflected in the"Deer Images"in Two Ancient Paintings

作　　者：王欣 WANG Xin(Academic Affairs Office,Chifeng University,Chifeng 024000,China)

机构地区：[1]赤峰学院教务处,内蒙古赤峰024000

出　　处：《赤峰学院学报（哲学社会科学版）》2024年第3期73-76,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

摘　　要：《丹枫呦鹿图》与《秋林群鹿图》是藏于台北故宫博物院的知名古代画作,艺术价值极高,但作者已无从考察,创作年代也存疑。这导致相关研究成果缺乏年代信息,难以形成结论。针对这两幅画作的缘起、作者及年代,古书画鉴定专家张珩和台北故宫博物院原副院长李霖灿曾发表见解,多重证据都指向辽代的一组五幅通景屏风画。两位学者的推论有理有据,很值得借鉴,但均基于美术学层面的分析,仅涉及画幅、画法、画风、题材等方面,并未结合当时宋辽两国特殊的政权关系来探讨“鹿形象”在此出现的深层含义、合理性以及所承载的政治象征。本文旨在以历史学视角,对这两幅画作进行深入挖掘,结合宋辽政权关系,探讨“鹿形象”在当时政治环境下可能呈现的特殊内涵。Red Maple and Whistling Deer and Autumn Forest Gathering Deer are well-known paintings collected in the National Palace Museum in Taipei.They have extremely high artistic value,but their author cannot be identified,and the year of creation is also doubtful.This makes many related research results lack age information and cannot be conclusive.Regarding the origin,author and age of these two paintings,Zhang Heng,an expert in ancient calligraphy and painting appraisal,and Li Lincan,former deputy director of the National Palace Museum in Taipei,have both elaborated.Multiple evidence points to a set of five panoramic screen paintings from the Liao Dynasty.The inferences made by the two scholars are well-founded and worth learning from,but they are all based on the discussion of fine arts,limited to the painting frame,painting method,painting style,subject matter,etc.,and are not combined with the special political relationship between the Song and Liao countries at that time.Let's discuss the deeper meanings of the deer image,why it appears here,and whether it's appropriate.Therefore,this article will explore from a historical perspective,trace the origins of these two paintings,and talk about the understanding of the paintings based on the relationship between Song and Liao.

关 键 词：《丹枫呦鹿图》 《秋林群鹿图》 鹿形象 宋辽关系 

分 类 号：K246.1[历史地理—历史学] K244[历史地理—中国史]