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作 者:林嘉琪 张伟 LIN Jia-qi;ZHANG Wei(College of Chinese Language and Culture,Guangdong University of Foreign Studies,Guangzhou Guangdong 510420,China)
机构地区:[1]广东外语外贸大学中国语言文化学院,广东广州510420
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2024年第3期110-114,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)
基 金:国家社科基金项目:视觉修辞与中国近现代画报的“解放”叙事研究(23BZW106);教育部人文社科项目:视觉修辞与《点石斋画报》的“现代性”启蒙研究(22YJC751018)。
摘 要:《良友》画报的“抗战”书写在践行“救亡图存”媒介担当的同时,将传统中国“赋比兴”的文艺观融入图像文本,实现了传统文艺观与图像符号互文化的叙事景观。《良友》的抗战报道从图文互动下的直接叙述、形象思维的图式化呈现和民族意识的内在唤起三方面体现出“赋比兴”的编写思维。“赋”在画报中以铺陈直叙的方式奠定了基本的叙述“地基”;“比”在画报中以比喻比类的设置为读者展开了关于“民族抗战”的想象空间;“兴”在画报中则通过诗意配文与富有张力的图像报道唤起读者的爱国情思。如此形成的多元叙事格局成就了《良友》画报关于“抗战”的视觉书写,在唤起民众家国意识与抗战信念的舆论宣传、动员过程中发挥了重要作用。Playing the media role of"saving the nation from subjugation and ensuring its survival",the writing of the War of Resistance against Japanese in The Young Companion,integrates the traditional Chinese literary and art view of"Narrative,Analogy,and Association"into the picture,and realizes the narrative landscape of intertextuality between the traditional literary and art view and the picture.The reports on War of Resistance against Japanese in The Young Companion reflect the writing thinking of the"Narrative,Analogy and Association"from three aspects:the direct narration under the interaction of pictures and texts,the visual presentation of imaginal thinking and arousal of national consciousness.The"narrative"lays the foundation of basic expression.The"analogy"leaves space to the imagination about the War of Resistance against Japanese for the readers by the setting of metaphor and analogy in the pictorial newspaper.The"association"arouses readers'patriotism through poetic texts and energetic reports in pictorial newspapers.The multi-narrative pattern formed in this way has achieved the visual writing about the War of Resistance against Japanese in The Young Companion,and played an important role in public opinion propaganda and mobilization of arousing the national consciousness and the belief of the War of Resistance against Japanese.
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