巴赫金时空体理论视阈下纳博科夫小说《玛丽》解读  

An Interpretation of Nabokov’s Novel Mary from the Perspectiveof Bakhtin’s Chronotope Theory

作　　者：朱烨 ZHU Ye(School of Foreign Languages,Nanjing Institute of Technology,Jiangsu Nanjing 211167,China)

机构地区：[1]南京工程学院外国语学院,江苏南京211167

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第3期115-118,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：江苏高校哲学社会科学研究一般项目:符号学视域下时空体研究及其当代意义(2023SJYB0450);南京工程学院校级科研基金项目:纳博科夫小说意识书写研究(YKJ202238)。

摘　　要：纳博科夫处女作《玛丽》打破了时间的线性流动,情节由多个空间场景和虚实时空间的不断对话构成,展现了人物在时空对话中对自我的探索。《玛丽》中时空成为其设置情节、展示结构、表达人物内心思想的重要手段。体现了纳博科夫洞察时空的能力,初露其时空对话的叙事风格和文学创作理念,为其后期小说时空对话的创作方式奠定了基础。Nabokov’s maiden novel Mary.Mary is described by the breaking of the linear time and the text presents the several scenes and the switch of the virtual and real scenes,the protagonist explored the character of himself through the temporal and spatial displacement.Time and space in Mary is the important way to show the plot,structure and thoughts.This work reveals Nabokov’s ability to feel time and space,and shows his basic creation concept and his writing techniques by using elements of time and space,which set the tone for using the spatial way in his later works.

关 键 词：纳博科夫 巴赫金 《玛丽》 时空体 

分 类 号：I106.4[文学—世界文学]