基于符号学的汉代四象瓦当纹样的研究与设计  

Research and Design of Han Dynasty Four Divine Pattern Tiles Based on Semiotics

作　　者：陈晨 杨勇 CHEN Chen;YANG Yong(School of Architecture and Design,China University of Mining and Technology,Xuzhou 221000,China)

机构地区：[1]中国矿业大学建筑与设计学院,徐州221000

出　　处：《工业设计》2024年第3期117-120,共4页Industrial Design

摘　　要：中国传统艺术中的一个典型代表是汉代的瓦当纹样,它富含民族独特风格,并在世界文化遗产中扮演着重要的角色。透过研究瓦当纹样,可以领略到汉代时期艺术设计师所追求的卓越艺术造诣。文章基于符号学理论深入解读汉代四象瓦当的表现特征,分析汉代四象瓦当创作的思想来源,探索其反映的美学内涵,并结合现代设计中的应用案例进行设计应用,探讨其对现代设计所产生的启示。A typical representative of Chinese traditional art is the eaves tile pattern of the Han Dynasty,which is rich in unique national style and plays an important role in the world cultural heritage.Through the study of eaves tile patterns,we can appreciate the outstanding artistic attainments pursued by art designers in the Han Dynasty.Based on the theory of semiotics,this paper deeply interprets the performance characteristics of the four-elephant eaves tiles in the Han Dynasty,analyzes the ideological source of the creation of the four-elephant eaves tiles in the Han Dynasty,explores the aesthetic connotation reflected by them,and combines the application cases in modern design to design and application,and discusses its enlightenment to modern design.

关 键 词：工业设计 符号学 汉代瓦当 四象 设计应用 

分 类 号：TU238[建筑科学—建筑设计及理论]