论“十七年”时期电影明星生成机制与身体政治——以上官云珠入选“22大明星”为中心  

and Physical Politics during the"Seventeen Years"Period--Centered around Shangguan Yunzhu being selected as one of the"22 Big Stars"

作　　者：戢海峰 Ji Haifeng

机构地区：[1]南开大学文学院,天津300071

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第1期140-145,I0005,共7页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：“十七年”时期,“22大明星”在政治实践、明星表演、观众参与等多重机制的作用下诞生,这些机制复杂而多面,暗合着不同程度的悖论。上官云珠通过对自己银幕内外的身体规训,完成了对这些悖论的意识形态缝合,最终得以成为代表新中国文艺工作者形象的“22大明星”中的一员。以上官云珠入选“22大明星”为中心,可一窥“十七年”时期电影文化的特殊面貌。During the"Seventeen Years"period,the"22 Big Stars"were born under the influence of multiple mechanisms such as political practice,celebrity performances,and audience participation.These mechanisms were complex and multifaceted,which were in line with different degrees of paradoxes.Shangguan Yunzhu completed the ideological stitching of these paradoxes through her physical training both on and off the screen,and ultimately became one of the"22 Big Stars"representing the image of literary and artistic workers in New China.Centered around the selection of Shangguan Yunzhu as one of the"22 Big Stars",one can glimpse the special face of film culture during the"Seventeen Years"period.

关 键 词：电影明星 上官云珠 “22大明星” “十七年”电影 身体政治 

分 类 号：J903[艺术—电影电视艺术] J909