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作 者:潘浩 庆振轩[2] PAN Hao;QING Zhenxuan(School of Arts,Hanjiang Normal University,Shiyan Hubei 442000;School of Arts,Lanzhou University,Lanzhou Gansu 730020)
机构地区:[1]汉江师范学院文学院,湖北十堰442000 [2]兰州大学文学院,甘肃兰州730020
出 处:《牡丹江大学学报》2024年第4期8-14,共7页Journal of Mudanjiang University
基 金:中央高校基本科研业务费专项资金项目(18LZUJBWYJ067);张家口市2023年度社会科学研究项目(2023202)。
摘 要:作为北宋仁宗朝引领文坛风尚的名臣硕儒,欧阳修以缙绅雅望的文学成就和尊崇清贵的政治地位,独步文坛,激扬士气,矫正文风,倡导并引领一代文学之变革;与之相应,其任“两制”词官期间的诏令文章也从古雅简重的典事、层进转合的章法、省净散化的语言和情理相参的议论四个维度有力回应其所倡导的复古及“以文体为四六”的变革主张。As a famous minister and senior scholar leading the literary trend in the Northern Song Renzong dynasty,Ouyang Xiu acted as a vanguard in the literary world,aroused the morale,corrected the literary style,and advocated and led the literary reform of a generation with his elegant and prestige literary achievements as well as his respectful and noble political status.Accordingly,his imperial decree articles during his term as the“Liang Zhi”literary officer also strongly responded to his advocation of the restoration and reform proposition of“Four-or Six-word Sentences Article”from the four dimensions of the classical and succinct classics,the layered and transition rules,the purified and relaxed language,and the discussion of humanity and reason.
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