汉魏六朝鹦鹉赋创作之流变  

On the Evolution of Parrot Fu in the Han,Wei and Six Dynasties

作　　者：张海艳[1] ZHANG Haiyan(College of Literature,Wuhan University,Wuhan 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《湖南工程学院学报（社会科学版）》2024年第1期76-81,共6页Journal of Hunan Institute of Engineering(Social Science Edition)

摘　　要：今存汉魏六朝鹦鹉赋作16篇,为此时期咏物赋数量之最。其中,祢衡《鹦鹉赋》收录于《文选》,其余15篇鹦鹉赋作则通过唐宋类书得以留存。16篇鹦鹉赋作在体物、叙事和抒怀三方面呈现出内容上的沿袭和形式上的创新,并表现出由建安之崇文主气、两晋之细致尚巧至南朝之典丽唯美的文学流变面貌,其中又不乏个别赋家自觉的突破与求新。汉魏六朝16篇鹦鹉赋作的流变是时代审美演变的具体细流,又在文本自身表现出继承与新变。There are 16 Parrot Fus in the Han,Wei and Six Dynasties,which is the most abundant in these periods.Among them,Mi Heng’s Parrot Fu was included in Wenxuan,while the remaining 15 parrot fus had survived through Tang and Song’s reference books.16 parrot fus present both inherited content and innovative forms in terms of object,narrative and expression.And they also show the literary evolution from JianAn’s advocating of diction and spirit,LiangJin’s advocating precision and smartness to the Southern Dynasty’s advocating classic beauty and aestheticism,in which there is no lack of individual conscious breakthrough and innovation.The evolution of the 16 parrot fus in the Han,Wei and Six Dynasties is the specific stream of the aesthetic evolution of the times,and shows inheritance and change in the text themselves.

关 键 词：汉魏六朝 鹦鹉赋 文学流变 

分 类 号：I206.2[文学—中国文学]