电影中的纽约城市叙述——纽约天际线与纽约城市人文真相  

The Narration of New York City in Film:New York Skyline and New York's Anthropological Truth

作　　者：曾传芳[1] 姚沁坤 ZENG Chuanfang;YAO Qinkun

机构地区：[1]四川外国语大学国际学院,重庆400030 [2]中欧国际工商学院,上海201206

出　　处：《外国语文》2024年第2期65-75,共11页Foreign Languages and Literature

摘　　要：城市为电影提供消费人群和取景素材,而电影通过镜头塑造城市的文化形象。纽约城市天际线在以纽约为故事背景的电影中反复出现,成为一种约定俗成的表达方式。城市天际线不仅指示故事发生的场所和背景,更是一种社会文化的具象体现和寓意衍生。分析电影对纽约天际线的叙述,可以挖掘纽约城市人文真相。经典的纽约天际线代表着美国的进步与繁荣,给予了人们对城市的乌托邦想象。后911时代的美国电影在叙述残缺的纽约天际线时,出现了不同的考量和选择,揭示了新的纽约城市人文真相。电影《世贸中心》选择坦然而克制地叙述和呈现被视为禁忌的纽约天际线和双子塔,意在探索直面灾难、治愈创伤之路。Cities provide the consumer and location material for film,while filmic practices shape the cultural image of cities.The New York skyline appears frequently in films set in New York City,thus becoming a conventionally accepted way of expression.The skyline not only indicates the place and context in which the film story takes place,but is also an allegorical extension and embodiment of society and culture.Analyzing the narration of the real New York skyline in film is crucial in uncovering the anthropological truth of this real metropolis.Before the 9/11,the classic New York skyline was the embodiment of America's development and prosperity,rendering the audience a utopian vision of modern city.However,different filmic considerations and choices emerged in the post-9/11 American cinema in narrating the destroyed skyline,revealing new anthropological truth.By choosing to narrate and present at ease and with restraint the New York skyline and the Twin Towers,which were considered the taboo at the time,the film World Trade Center explores a path of confronting the disaster and healing the trauma of the 9/11.

关 键 词：真实纽约 电影纽约 纽约天际线 纽约城市人文真相 

分 类 号：J904[艺术—电影电视艺术]