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作 者:吴倩 Wu Qian
机构地区:[1]故宫博物院器物部
出 处:《故宫博物院院刊》2024年第3期69-84,140,共17页Palace Museum Journal
摘 要:清代是中国铜镜日趋衰落的时期,但宫廷内府制作铜镜具有特殊性。其中,仿古铜镜是宫廷制镜的重要构成,尤以乾隆朝最盛。本文基于乾隆朝三个宫廷仿古铜镜个案,探讨其形制纹饰设计的种类与来源,分析了制作仿古镜的机构与程序,以及宫廷收贮方式与贮藏地点,认为乾隆朝内府制仿古铜镜的设计与制造既崇古又创新,具有独特细腻的艺术风格。The manufacture of Chinese bronze mirrors was declining with the Qing Dynasty entering,yet going on in the court workshop under the imperial household department for their special uses when the antique-styled bronze mirrors were made as the main products of the court mirrors,especially the Emperor Qianlong's(乾 隆) reign with the most.With the three cases taking place in Emperor Qianlong' s period,this thesis discusses the antique-styled bronze mirrors in types of motifs and their sources,the makers and the procedure of production as well as the ways and places of the bronze mirrors stored in the imperial court.It is viewed that the kinds of products of Qianlong period adopt both tradition and innovation in design and process that makes them distinctively exquisite in artistic style.
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