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作 者:谢雨婷 赵曾健 Xie Yuting;Zhao Zengjian
机构地区:[1]北京市文物进出境鉴定所 [2]故宫博物院文物管理处
出 处:《故宫博物院院刊》2024年第3期128-138,143,共12页Palace Museum Journal
摘 要:展览是新中国初期(1949-1966年)故宫博物院参与国家政治与文化建设的重要途径。这一时期,故宫博物院的展览工作成为一项由国家领导并获得全国支持、体现国家意志、适应现实建设需求的“国家行为”。此间,故宫博物院在院内举办常设与临时展览共计二百余个,基本形成了“古今中外兼备”的综合性展览特色。具有鲜明民族叙事特色的展览,肩负着形塑国家与教育大众的使命,成为面向广大民众开展政治与文化教育的有力工具。对这一时期故宫博物院展览工作的综合考察,不仅可以管窥新中国初期博物馆独特的“使命型”基因,也能为文化遗产的“古为今用”提供借鉴。Exhibitions used to play as an important means for the Palace Museum to participate in national construction in politics and culture in the early years of the People' s Republic of China(1949-1966).During this period,the Palace Museum hosted over two hundred permanent and temporary exhibitions,establishing a comprehensive exhibition feature of integrating ancient and modern,and combining the strengths of the Chinese and western.The museum's exhibitions became a 'act of the state' led by the state leadership and supported nationwide,reflecting the national will and adapting to the needs of practical construction.Those exhibitions with distinct national narratives shouldered the mission of structuring the state and educating the public,becoming powerful tools for political and cultural education for the public.A comprehensive survey on the exhibition of the Palace Museum during this period not only provides insight into the unique mission-oriented'nature of the museums in the early years of the People's Republic of China but also offers references for applying the 'make the past serve the present' approach to cultural heritage.
分 类 号:G265[历史地理—考古学及博物馆学] K27
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