“水浒戏”叙事结构流变及成因探析  

Water Margin Drama Narrative Structure Changes and the Causes of the Analysis

作　　者：刘欢[1] LIU Huan(Harbin Normal University,Harbin 150000,China)

机构地区：[1]哈尔滨师范大学,哈尔滨150000

出　　处：《齐齐哈尔高等师范专科学校学报》2024年第1期32-36,共5页Journal of Qiqihar Teachers College

摘　　要：水浒戏是水浒故事发展过程中的一个重要阶段,傅惜华编著的《水浒戏曲集》(第一集)收录了元明清三代水浒戏杂剧共十五部。这些杂剧数目虽然不多,但反映了由元至清水浒戏在人物、情节、主题三个维度的变化。由“水浒戏”叙事结构演变之一隅,可窥见时代话语、戏曲生态、作者立场、《水浒传》主题和读者接受多方合力的共同作用,以便深刻了解水浒旨趣。The Water Margin drama is an important stage in the development of the Water Margin story,and the WaterMarginOpera Collection(thefirstcollection)compiled by Fu Xihua includes a total of fifteen Water Margin drama miscellaneous plays from the Yu-an,Ming and Qing Dynasties.Although the number of these miscellaneous plays is small,but it reflects the water marsh play from Yuan to Qing in the character,plot,theme of the three dimensions of change.By the“Water Margin”narrative structure evolution of a corner,can be seen in the era of discourse,opera ecology,the author's position,“Water Margin”theme and reader acceptance of the combined effect of multiple forces in order to deeply understand the purpose of the Water Margin.

关 键 词：水浒戏 叙事结构 成因探析 

分 类 号：G237.1[文化科学]