“志”与“史”:《片警宝音》的现代性叙事与文化记忆  

“Aspiration”and“History”:The modern narration and cultural memory of the film“Patrolman Baoyin”

作　　者：袁雨欣 Yuan Yuxin(Shandong University of Arts,Jinan 250307)

机构地区：[1]山东艺术学院传媒学院,济南250307

出　　处：《鹿城学刊》2024年第1期34-37,共4页Journal of Lucheng

摘　　要：电影《片警宝音》以民族志式的、新历史主义的现代性叙事视角作为阐释工具,将当代中国时代风貌的影像民族志式书写酝酿其中,既保存了当代中国的文化记忆,又附和和补全了历史话语,对本土民俗和文化的保护和推广投入了关注。In 2018,the film Patrolman Baoyin,jointly produced and produced by the Propaganda Department of the Inner Mongolia Autonomous Region Committee of the Communist Party of China and the Public Security Department of the Inner Mongolia Autonomous Region,won the 18th China Film Huabei Award for Outstanding Ethnic Minority Films after five years.The film brews the image ethnographic writing of contemporary Chinese times,returns to the left place of national history,and makes up for the omissions,producing unique cultural memory.From the ethnographic and neo-historicist perspective of the modern narration of the film,and from the cultural memory of Asman back to the emotional reference of people in the film,the epic meaning of“ancient and modern drama”of Chinese national images can be analyzed.

关 键 词：《片警宝音》 民族志叙事 新历史主义 文化记忆 

分 类 号：J905[艺术—电影电视艺术]