大成若缺——残缺肌理图式在当代陶艺中的运用  

Great Success Without Lack——the Application of Incomplete Texture Schema in Contemporary Ceramic Art

作　　者：彭振新 Peng Zhenxin(Jingdezhen Ceramic Universiyt,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第4期82-84,共3页Ceramics

摘　　要：通过深入研究肌理图式的独特视觉样式,笔者将从陶瓷斑驳釉料、扭曲泥纹等多个方面对残缺肌理图式的多样性及其偶然性进行分析。将这些独特的肌理图式引入当代陶艺语境,探讨陶瓷艺术在当代艺术中的发展及其存在的局限。在这个过程中,着重挖掘残缺肌理图式的再创造价值,探讨其对当代陶瓷艺术的意义。通过将陶瓷艺术更好地融入当代艺术的发展之中,将为当代陶瓷艺术的繁荣和创新提供了更加广阔的空间。这种深度探讨有助于推动陶瓷艺术的发展,使其更好地适应当代社会和艺术潮流的需求。Through an in-depth study of the unique visual styles of texture patterns,the author will analyze the diversity and randomness of incomplete texture patterns from various aspects,including mottled glazes on ceramics and twisted clay textures.By incorporating these unique texture patterns into the contemporary ceramic art context,the development and inherent limitations of ceramic art in contemporary art will be explored.In this process,the focus is on excavating the re-creative value of incomplete texture patterns and discussing their significance to contemporary ceramic art.By better integrating ceramic art into the development of contemporary art,provide a broader space for the prosperity and innovation of contemporary ceramic art.This deep exploration will help advance the development of ceramic art,allowing it to better adapt to the needs of contemporary society and artistic trends.

关 键 词：残缺美 肌理图式 当代陶艺 偶然性 

分 类 号：TQ174.74[化学工程—陶瓷工业]