陶瓷艺术造型与青花装饰  

On the Relationship Between Ceramic Modeling and Decoration

作　　者：危婷钰 Wei Tingyu(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第4期122-124,共3页Ceramics

摘　　要：中国陶瓷艺术发展至今,发展过程中诞生出了许多的瓷器品种,按照烧成工艺分可分为釉上和釉下,按照器型种类分又可以分为梅瓶、葫芦瓶、凤耳瓶等。在众多陶瓷作品中,陶瓷艺术是通过造型和装饰的形式特征表现的,也离不开材料和技术的支持。随着时代的进步和大众审美的变化,陶瓷的造型与装饰手法也更加多元化。笔者试从青花作品中探讨造型与装饰两者之间的关系,只有造型与装饰完美结合,陶瓷作品才能达到完美状态。Absrtact:Since the development of Chinese ceramic art,many kinds of porcelain have been born in the development process.According to the firing process,they can be divided into the above glaze and under glaze,and according to the type,they can be divided into plum bottle,gourd bottle,phoenix ear bottle and so on.In many ceramic works,ceramic art is expressed through the form characteristics of modeling and decoration,and can not be separated from the support of materials and technology.With the progress of The Times and the change of public aesthetics,the modeling and decorative techniques of ceramics are more diversified.This paper tries to discuss the relationship between modeling and decoration from the blue and white works.Only the perfect combination of modeling and decoration can ceramic works achieve a perfect state.

关 键 词：陶瓷造型 装饰 青花艺术 

分 类 号：TQ174.74[化学工程—陶瓷工业]