梦境、死亡、爱情:鲁迅《野草》的驳杂性  

On the Miscellaneous Theme of LU Xun′s Weeds:Dreamland,Death and Love

作　　者：杜宇 DU Yu(College of Chinese Language and Literature,Shaanxi Normal University,Xi′an 710061,China)

机构地区：[1]陕西师范大学文学院,陕西西安710061

出　　处：《洛阳理工学院学报（社会科学版）》2024年第2期78-82,共5页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：《野草》作为鲁迅自剖性的文本,承载鲁迅的主体危机感。在《野草》中,鲁迅通过梦境这一情感能量场,凝视和反思矛盾的、多维度的自我,而梦中“梦者——观客”的身份转变,使鲁迅有了重新审视自己的权利,并增加主体“分裂”的可能。鲁迅接受死亡生命向力的指引,在死亡的逼视中洞察爱的内涵。“我梦见”背后是关于死亡和爱情的真理发现,使鲁迅得以抵达更为本真的自我。梦境、死亡和爱情三者相互勾连,显示《野草》的驳杂性。Weeds,seen as LU Xun′s self-dissectible text,carries LU Xun′s subjective sense of crisis.In Weeds,LU Xun reflects on the contradictory and multi-dimensional self through the gaze at the emotional energy field of dreams,and the change of the identity between the"dreamer"and"spectator"in the dream gives LU Xun the a-bility to re-examine his self-rights,and further increases the possibility of subject splitting.Accepting the guidance of the force of death and life,he penetrates the connotation of love in the close sight of death,and discovers the truth about the death and love revealed behind"I dream",which enables LU Xun to reach a more authentic self.Dreams,death and love are intertwined,showing the unparalleled complexity of Weeds.

关 键 词：鲁迅 《野草》 梦境 死亡 爱情 

分 类 号：I210[文学—中国文学]