文艺复兴时期悲剧艺术的审美特征  

Aesthetic Characteristics of the Renaissance Tragic Art

作　　者：上官文金 SHANGGUAN Wen-jin(Sichuan Normal University,Chengdu 610068,China)

机构地区：[1]四川师范大学,四川成都610068

出　　处：《扬州教育学院学报》2024年第1期7-11,共5页Journal of Yangzhou College of Education

摘　　要：探讨文艺复兴时期的悲剧艺术,可立足从文本悲剧到文化悲剧的悲剧美学史观,既关注其“亚里士多德主义”的倾向,又注意其对“人本主义”时代特征的揭示。着眼文艺复兴在西方悲剧史中的过渡地位,发掘其悲剧艺术的审美特征,即以“扩宽现实维度与容纳虚构艺术”为主的悲剧情节,以“性格色彩的重视与性别选择的出现”为主的悲剧人物,以“关注大众群体与追求道德功用”为主的悲剧效果。This paper studies the Renaissance tragic art from the historical view of tragedy aesthetics from text tragedy to culture tragedy,paying attention to its Aristotelianism tendency as well as its humanistic characteristics.Focusing on the transitional position of the Renaissance in the history of the Western tragedy,this paper explores the aesthetic characteristics of the Renaissance tragic art,i.e.,the tragic plot of “expanding the reality and encompassing the fictional art”;the tragic characters of personality features and gender selection;and the tragic effect of “concern for the masses and the pursuit of moral function”.

关 键 词：文艺复兴 悲剧 亚里士多德 人本主义 审美特征 

分 类 号：I106.3[文学—世界文学] I01