“四大名著”由来新考  

Origin of Four Classic Chinese Novels: A New Study

作　　者：叶新[1] 后宗瑶 周杨 YE Xin;HOU Zong-yao;ZHOU Yang(School of Journalism and Communication,Beijing Institute of Printing Technology,Beijing 102627,China;Media College,Anhui Normal University,Wuhu 241000,China;School of Journalism and Communication,Xiamen University,Xiamen 361005,China)

机构地区：[1]北京印刷学院出版学院,北京102627 [2]安庆师范大学传媒学院,安徽安庆2416003 [3]厦门大学新闻传播学院,福建厦门361005

出　　处：《辽东学院学报（社会科学版）》2023年第6期89-101,共13页Journal of Liaodong University：Social Science Edition

基　　金：国家社科基金重大项目“中国出版学学术史文献整理、研究与资料库建设”(21&ZD321)。

摘　　要：考证“四大名著”的由来,民国应是值得重点关注的时期,“四大名著”的“名”与“实”皆形成于此。基于相关史料,从“实”“名”与内在机理等三个层面剖析“四大名著”在民国时期的演变过程。从“四大奇书”到“四大名著”这一演变进程中,“名”与“实”不断变化,相互影响,而文学称号、文学审美、文学词汇三者的共同作用是其演变的内在机理所在:文学称号框定演变场域,文学审美主导演变过程,文学词汇则牵引演变趋向。The Republic of China is the key period to study the origin of the Four Classic Chinese Novels,when both the“name”and“reality”of them are formed.Based on the relevant historical materials,the authors analyze the evolution process of the Four Classic Chinese Novels in the period of the Republic of China from the reality,name and internal mechanism.In the evolution process from the“Four Masterpieces”to the“Four Classical Novels”,the“name”and“reality”of the books are constantly changing and interacting with each other.The common role of literary title,literary aesthetics and literary vocabulary is the internal mechanism of its evolution,in which literary title frames the evolution field,literary aesthetics dominates the evolution process,and literary vocabulary leads the evolution trend.

关 键 词：四大名著 胡适 徐调孚 

分 类 号：I207.41[文学—中国文学]