《长安三万里》中的李白形象评析--从历史真实与审美价值的关系出发  

Analysis on the Image of Li Bai in the Film Chang An from the Perspective of the Relationship between Historical Truth and Aesthetic Value

作　　者：熊晓霜 XIONG Xiaoshuang(School of Literature and History,Mianyang Teacher's College,Mianyang,Sichuan 621000)

机构地区：[1]绵阳师范学院文学与历史学院,四川绵阳621000

出　　处：《绵阳师范学院学报》2024年第4期21-25,共5页Journal of Mianyang Teachers＇ College

基　　金：四川省李白文化研究中心项目“李白与当代网络文化”(LB22-B32)。

摘　　要：影片《长安三万里》自上映以来在票房和口碑上都获得了巨大的成功,但同时也出现了一些争议,争议主要集中在电影对历史人物形象和历史事件的篡改上。影片中尤其是著名诗人李白的形象,部分与历史事实不符,也部分偏离了大众对李白的想象。在权威、准确、客观的历史书写与充满诗意、侠气、悲情的人物形象之间,影片选择了塑造后者。追光动画公司在《长安三万里》中摈弃了其常用的中西、古今结合的传统文化策略,专注于对盛唐气象和诗人群像的艺术呈现,以高适和李白为中心,再现了唐代诗歌以及李白作为诗人和传奇人物所具有的巨大艺术感染力和审美价值。The film Chang An has been a great success since its release in terms of its box office and public opinion,but in addition triggered some controversies,mainly focusing on the film's tampering with historical fig⁃ures and events.In particular,the image of Li Bai,the famous poet in the film is partly inconsistent with the his⁃torical facts,and partly deviates from the audience's imagination of him.Between authoritative,accurate and objective historical writing and poetic,chivalrous and tragic characterization,the film prefers the latter to the for⁃mer.In Chang An,the Light Chaser Animation Company abandons its traditional cultural strategy of combining Chinese and Western and combining ancient and modern,focuses on the artistic presentation of the Tang Dynasty and the images of poets,and reproduces with Gao Shi and Li Bai as the center the poetry of the Tang Dynasty and the great artistic appeal and aesthetic value of Li Bai as a poet and a legendary figure.

关 键 词：《长安三万里》 李白形象 诗意 侠气 

分 类 号：I206.2[文学—中国文学]