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作 者:宁静 吴炜晨 NING Jing;WU Weichen(China Academy of Art,Hangzhou 310024,China)
机构地区:[1]中国美术学院,杭州310024
出 处:《工业工程设计》2024年第2期49-55,共7页INDUSTRIAL&ENGINEERING DESIGN
摘 要:以民国时期的美术字设计为对象进行研究,在工艺美术史、世界史、社会史构成的复合语境中,描述民国美术字设计形态的产生与变化的复杂面貌,探索其历史意义与文化内涵,从而揭示这一阶段的字体形态设计对中国当代字体设计的启示意义。运用文献考据与个案分析的研究方法,将设计史与社会史相结合,以民国时期社会制度、科学技术、社会思潮的发展变迁为背景,以民国美术字为主要线索,通过分析国内变化与国际影响两个方面作用下的美术字历史样貌,进行美术字设计主体特征、方式变化、代表作品比较等方面的梳理,勾勒民国时期美术字设计的诞生及演进。美术字的诞生和发展与其所在的社会与文化环境息息相关。它呈现出高度的时代特征,同时也与自身文化结合发展成为当代字体设计宝贵的经验来源,对当代字体设计有着高度的借鉴作用。The work aims to study the design of artistic calligraphy in the period of the Republic of China.In the context of the history of arts and crafts,world history and social history,the complex appearance of the emergence and change of the design form of fine arts in the Republic of China are described and its historical significance and cultural connotation are explored,to reveal the enlightenment of the font form design in this period to contemporary Chinese font design.By the research methods of literature review and case analysis,the design history is combined with social history,the development and change of social system,science and technology,and social trend of thought in the Republic of China period are taken as the background,and the artistic calligraphy of publications in the Republic of China period is adopted as the main clue.By analyzing the historical appearance of artistic calligraphy under the influence of changes in China and international influences,the main character,the change of mode,the comparison of representative works and other aspects of fine art design are clarified,and the birth and evolution of artistic calligraphy design in the Republic of China are outlined.The birth and development of artistic calligraphy are closely related to the social and cultural environment,which shows a high degree of characteristics of the times and is combined with its own culture to develop into a valuable source of experience for contemporary font design,and has a high reference role for contemporary font design.
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