20世纪50—70年代诗歌中的干部书写  

Cadre Writing in the Poetry of the 1950s to 1970s

作　　者：余蔷薇[1] 李桂豫 YU Qiangwei;LI Guiyu(College of Chinese Language and Literature,Wuhan University,Wuhan 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《东莞理工学院学报》2024年第2期9-18,共10页Journal of Dongguan University of Technology

基　　金：国家社会科学基金“媒介生态中的中国新诗流变研究”(22BZW171)。

摘　　要：在20世纪50—70年代的诗歌中,干部成为一个常态化的书写对象。虽然其一般具有同质化的特征,但也根据题材、语境、视角的差异而分化出不同的意义形态。同时,部分带有逾越性的形象既丰富了干部的可能面向,也追问着干部形象在建构过程中存在的问题。在诗歌中,作为知识分子与工农兵关系的中介,干部形象呈现出聚合性、附加性与修辞性,这是其政治诗学路径的症结所在。In the poems of the 1950s to 1970s,cadres become a normal writing object.Although it is generally characterized by characteristics of homogenization,it also divides different meaning forms according to the differences in subject matter,context and perspective.At the same time,some of the excessive images not only enrich the possible orientation of cadres,but also ask the problems existing in the construction process of the cadre image.In poetry,as the intermediary of the relationship between intellectuals and workers,peasants and soldiers,the image of cadres is aggregated,additive and rhetorical,which is the crux of the path of their political poetics.

关 键 词：50—70年代诗歌 干部形象 工农兵 知识分子 

分 类 号：I207.25[文学—中国文学]