中国钢琴音乐创作的美学意蕴及特征研究  

Aesthetic Implication and Characteristics of Chinese Piano Music Creation

作　　者：孙潇 Sun Xiao(Fuyang Normal University,Fuyang 236000,China)

机构地区：[1]阜阳师范大学,安徽阜阳236000

出　　处：《黑河学院学报》2024年第3期163-166,共4页Journal of Heihe University

基　　金：安徽省高校科学研究重点项目“音乐表演测量可视化应用研究——以中国钢琴作品演奏为例”(2022AH051272)。

摘　　要：钢琴乐器虽然在19世纪中叶便已传入我国,并在20世纪初取得了非常大的发展,但严格意义上中国钢琴音乐的发展时间并没有那么长,学术界普遍认可的发展开端是1915年,在这百余年的发展历程中,中国钢琴音乐已然脱胎换骨,成为独具民族特色的音乐形式,在当代多元文化背景下,中国钢琴音乐呈现出更进一步民族化的发展特征,同时,也呈现出了另一番中西交流的景象,这既体现了中国钢琴音乐创作的自信,也体现了当代中国钢琴音乐在面对国际化发展时的深思熟虑。Although piano instruments were introduced into China in the middle of the 19th century and achieved great development at the beginning of the 20th century,Chinese piano music doesn’t undergo a long period of development in a strict sense,because the year of 1915 is generally recognized as the starting point of development by the academic circle.In the development course of more than 100 years,Chinese piano music has been completely transformed into a musical form with unique national characteristics.Under contemporary multi-cultural background,Chinese piano music shows the characteristics of further nationalization in the development,taking on a scene of Sino-Western exchanges in the meantime,which reflects not only its self-confidence,but the thoughtful consideration in the face of international development.

关 键 词：中国钢琴音乐 题材来源 美学意蕴 创作特征 

分 类 号：J60[艺术—音乐]