张谷密与花儿音乐传播  

Research on Zhang Gumi and Huaer Music

作　　者：叶长春[1] YE Chang-chun(College of Music,Anhui Normal University,Wuhu 241002,China)

机构地区：[1]安徽师范大学音乐学院,安徽芜湖241002

出　　处：《青海师范大学学报（社会科学版）》2024年第1期131-136,共6页Journal of Qinghai Normal University（Social Sciences）

摘　　要：中国传媒大学赵志安教授提出音乐的两种传播模式概念——音乐的“现场”传播模式和音乐的“媒介”传播模式。在条件艰苦、没有任何录音设备的20世纪50年代,张谷密先生凭借自己的双足走遍土族的村寨,他深入到土族、回族、撒拉族、藏族、哈萨克族以及汉族群众中间去收集素材、体验生活并进行音乐创作,产生了青海花儿的“自然性”音乐现场传播行为。于此同时,他又与各地的民歌手进行音乐信息的交流沟通,做到音乐现场传播实践中传播者与受众之间的面对面,促进了青海各民族花儿的融合交汇与传播。在音乐理论方面,张谷密经过归纳和提炼提出了极具代表性的“徵商花儿”,得到了民族音乐理论家们的广泛认同并被沿用。该理论研究方法为学者们更深入地了解研究花儿音乐提供了良好的思路,同时也证明了张谷密先生对于花儿调式理论的直接性传播。Professor Zhao Zhian of the Communication University of China proposed two modes of music transmission——“Field communication of music”and“The media dissemination of music”.In the 1950s,Without any recording equipment,conditions were difficult Mr.Zhang Gumi walked around the stockaded villages of all nationalities.He went deep into the Tujia,the Hui,the Salar,Tibetan,Kazak and the Han people in order to collect materials,creat the music and went to experience life.These produced"natural"field communication of Huaer music.Mr.Zhang Gumi exchanged music information with folk singers from place to place,realized the positive communication between the dlisseminator and the audience.It promoted the integration and dissemination of Huaer music of various ethnic groups in Qinghai.In music theory,Mr.Zhang Gumi presented a representative theory-"Zhi Shang Huaer",which is widely recognized and used by ethnomusical theorists.This theoretical research method provides a good idea for scholars to understand Huaer music more deeply,and it also proves the direct transmission of his mode theory in Huaer music.

关 键 词：音乐传播 花儿音乐 张谷密 理论研究 

分 类 号：J603[艺术—音乐]